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Wednesday, January 17, 2018

The Signal Flame by Andrew Krivak

January 12, 2017    The Signal Flame by Andrew Krivak
Hostess:  Mary Margaret
Attendees:  Cheryl, Susan, Michelle, Amy, Lori, Janna, Allison, Pam M.

 We rated this book 3.75  (mathematical law of averages)   It was slightly polarizing with some members really liking it, and an equal amount who did not; the plot dragged for some yet , for those who liked this book it was a quiet, sensitive look into one family's life with its tragedies through several generations.  The narrative was soft and eloquent for those who liked it and....boring for others.   Darden, Pennsylvania was also deemed a boring place.
thesignalflame

Excerpts from the New York Times review:

The novel takes place in 1972, between Easter and Christmas, when the family is waiting for news: Sam has been listed as missing in action. The story begins with Jozef’s death, which diminishes the resident family to two: Hannah and Bo, alone in the big house built by Jozef and surrounded by his presence. (Hannah’s husband died years earlier in a hunting accident.) Building and woodworking are in the blood. Here’s Bo, for instance, on the day of his grandfather’s funeral: “He . . . sat down at a pale and simple table he had made with his grandfather out of beech felled on their land. He ran his hand across the surface of it as if to feel what he could of those days when he first brought the table into the kitchen and his grandfather touched the surface of it in the same way, and said, Well, son, I do believe you have found your work.”
Bo now runs the roughing mill, sharing the narrow profits with his workers. He and Hannah keep a dog, chickens and a cow; in the past they had kept goats. The connections between this family and the land run deep; on it they have raised food, shot deer, built houses and made furniture. Jozef’s orchard still bears fruit.But this domestic idyll has been carved out of a wild region in northeastern Pennsylvania, a place full of tempestuous weather and the danger that wilderness contains. Rattlesnakes, predators, rough terrain and, of course, guns. The men bring their own danger to any landscape.




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  • Guns are a constant presence. A hunting scene between old Jozef and young Bo reveals the family ethos: “They came through trees to the edge of the open field, where a silver horizon met silver grass bent down with frost and spread out flat before them. . . . His grandfather sat down on a large rock and levered a single round into the Marlin. Bo sat down next to him and moved his hands and feet to keep warm. They waited a long time, until the sun was bright and round above the horizon in the east, when his grandfather put a finger to his lips and pointed in the direction of where a doe had emerged from the trees. He slipped off his mittens, got down on one knee and brought the rifle to his shoulder. Bo followed the sight line of the barrel and saw that it was aimed not at the doe but at the low-slung figure of a dog like no dog he had ever seen, sleek and hunched and twitching at the far end of the field. He looked at his grandfather, as frozen as the grass, then back at the dog just as it leaped. The rifle cracked and the animal arced back in one round motion.”
    The Vinichs are hardworking and responsible, good Catholics and good citizens. Their success seems like an immigrant’s dream, but the family is shadowed by grief. Hannah’s husband came home from World War II a silent, damaged man. While he was fighting in France, the carnage became too much to bear, and one day he walked away from his unit. Later he was accused of desertion, and when he came home he was put in military prison. He finally returned to Dardan, disgraced and broken. He never recovered. When he died the family suffered doubly, from the loss of his life and of his reputation.
    Another local family has a complicated connection to the Vinichs. Jozef bought land from Walter Younger, during a period of financial duress. The Youngers were reluctant to sell and resented the loss of their property. They continued to hunt on it as though they still owned it. So tension between the families was already high before the accident: It was Paul Younger, Walter’s son, who shot Hannah’s husband in the heart. Hannah knew that her husband had never recovered from the war; she understood that she’d lost him before the shot. But she could not forgive the man who pulled the trigger.
    In the third generation the two families have a more complicated connection, equally intense: Ruth, Paul Younger’s daughter, is nowpregnant with Sam’s child. The families, who have good reason to be at war, now have an urgent reason to find peace. Bo becomes a mediator between his mother and Ruth, and he also pursues a last clue as to his brother’s whereabouts.
    Krivak is an extraordinarily elegant writer, with a deep awareness of the natural world. In spare and beautiful prose he evokes an austere landscape, a struggling family and a deep source of pain. The narrative follows the two families as they attempt to accept their deepening connection and Sam’s continuing absence. Krivak sets the grandeur of the mountain as a backdrop to the intimate drama of the heart.
    There is no answer to the question of war, how much it can demand or who should suffer. Krivak, in this moving and eloquent book, reminds us that we are powerless over this presence in our lives. It will return, generation after generation, to our families. It will have what it will.
    *****************************************




    February selection:
    The Second Mrs. Hockaday by Susan Rivers  (Cheryl)

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    The Leavers by Lisa Ko


    December 14, 2017
    The Leavers by Lisa Ko
    Hostess:  Michelle
    Attendees:  Cheryl, Mary Margaret, Amy, Susan, Emily, Pam M, Pam T

    Our summary:  a book about parenting, good parenting and bad.....
    We gave this book a rating of  3.5



    Excerpts from the New York Times review:

    THE LEAVERS
    By Lisa Ko
    338 pp. Algonquin Books of Chapel Hill. $25.95.
    Should fiction be relevant or timeless? Should it aim to put a human face on issues of the day? And if so, is that enough? Should it do more?
    Lisa Ko’s debut novel, “The Leavers,” brings these perennial questions to mind. Her book centers on a Chinese boy named Deming Guo. Conceived by a strong-willed woman who does not want to have to marry the boy’s father, and who ships off for America only to discover that she cannot abort a 7-month-old fetus here, Deming is first sent back to China to live with his grandfather. When his mother can support him, though, he is reunited with her — formerly Peilan, now Polly Guo. They live in the Bronx with her boyfriend, Leon, as well as Leon’s sister and her son, Michael, a brother-like boy about Deming’s age. Deming is a rambunctious student. Polly, an undocumented worker in a nail salon, works brutally long hours. So, too, does Leon.
    Still, their makeshift family is happy until Polly disappears. Has she simply moved to Florida for a better job, as she intended? Deming had insisted he didn’t want to move. But would she really abandon him as a result? Why does she never even call? And why does Leon disappear shortly after that?
    Motherless Deming is eventually taken in by a well-meaning couple. Professors in a small, all-white upstate New York community, Kay and Peter give Deming a new name, “Daniel Wilkinson.” They try to get him to pay more attention to his schoolwork and less to the guitar. In moments of frustration they remind him of how much they are doing for him, and how grateful he should be. Then a crisis ensues when, out of the blue, Daniel/Deming hears from Michael. Soon he is headed back to China to solve the mysteries of his life.
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    Thoroughly researched and ambitious in scope, Ko’s book ably depicts the many worlds Deming’s life encompasses: As he switches cultures and milieus, Ko tackles the school scene, the music scene, the Bronx, and upstate New York, not to say Fuzhou and Beijing. And she draws on our sympathies: It is impossible not to root for a boy so foundationally unmoored by circumstance. Moreover, Deming’s feisty mother is compellingly complicated: Polly Guo has an itch for freedom she cannot ignore. Indeed, the greatest strength of the book lies in its provocative depiction of a modern Chinese woman uninterested in traditional roles of any kind. What she makes of herself, and what we might make of her, are of interest from any number of angles.
    It is still heartening to see a novel put a human face on migration, and perhaps in future books, this budding novelist’s true promise will be realized. Meanwhile, Lisa Ko has taken the headlines and reminded us that beyond them lie messy, brave, extraordinary, ordinary lives.



    Gish Jen’s most recent book, “The Girl at the Baggage Claim: Explaining the East-West Culture Gap,” was published in February.













    Merry Christmas!

    January selection:  The Signal Flame by Andrew Krivak

    Posted by princetonwalkladiesbookclub at 4:24 PM No comments:
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    The Clay Girl by Heather Tucker



    The Clay Girl by Heather Tucker

    October 12, 2017
    Hostess:  Susan
    Attendees:  Lori, Amy, Janna, Cheryl, Michelle
    We gave this book a high rating:   5 (or is that a 6?!)

    Heather Tucker's The Clay Girl follows Ari Appleton's chaotic childhood.

    Summary book Review from the Toronto Star:
    By MARCIA KAYESpecial to the Star
    Sun., Nov. 6, 2016
    You’ve never met anyone like Ari Appleton. Feisty, bright young heroines forced to deal with devastating family circumstances have long made for memorable characters in Canadian fiction, from Anne Shirley of Green Gables fame to Yolanda in Miriam Toews’ All My Puny Sorrows. 
    But Ari Appleton will take your breath away.
    In Heather Tucker’s astonishingly exquisite debut novel, The Clay Girl, we meet Ari in the 1960s as a quirky eight-year-old, the youngest of six sisters who are being split up and farmed out to relatives around eastern Canada. The girls are escaping horrific dysfunction: their abusive father has blown his head off, and their skanky, addicted mother can’t look after herself, let alone six kids. (Did I mention this is not a children’s book?) 
    At first, Ari lucks out. She’s sent to loving aunts in Cape Breton who tell her she’s not dirt, as she’s always been told, but clay, which is malleable and full of possibilities. Clay soaks up water, they tell her, just as bright little Ari soaks up everything in her path. “And with a little added grit, but not too much, the clay becomes stronger.”
    But the grit piles up when Ari’s mother, now living in Toronto, regains custody. Over the next eight years Ari deals with an increasingly chaotic and violent home life while forging outside relationships with teachers and others who recognize her astounding creativity and burning intelligence. To counter loss after loss, she keeps close an imaginary sea-horse totem named Jasper, a refuge of stillness and balance in her life where none exists. Heading toward her 16th birthday, Ari realizes that escaping her hellish home life is more fraught than she thought. 
    The Clay Girl leads us into very dark places, but Ari keeps herself — and us — from despair by being funny without being naive, edgy without being cynical. Author Tucker’s prose is as lyrical and powerful as the ocean, Ari’s voice as sure and strong as a rudder through wild seas. 
    Tucker, of Ajax, has clearly drawn on her experiences as a psychiatric nurse and bereavement counsellor who has worked in Africa, South America and Northern Ontario. Her rare gift of showing us beauty, hope and humour amid profound trauma make The Clay Girl an extraordinary debut novel. 
    Marcia Kaye is a frequent contributor to the Star’s book pages.



    Next Book:  Little Fires Everywhere by Celeste Ng
    Posted by princetonwalkladiesbookclub at 4:21 PM No comments:
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